really exited about this one, ana helder from argentina (comene) delivered here an nice and freaky oldschool mid tempo track,so nice.the first remix is by astro labs home cat timothy j fairplay, something between carpenter and andrew weatherall.then on the b side ivan smagghes remix is just amazing with some old synth and techno atmosphere. last one is frank west,our second collaboration,he turns the song into a solid booty dub song.

this release is first new mule musiq. catalogue number was jumped up to 147 ... barnt is cologne based producer which is known as a member of magazine (artist&label). we really loved barnt 12 inch and magazine stuff on their label and very happy new barnt 12 inch is released on mule musiq. original on a side is like a dark house remix of goblin (italian progressive rock band). if you like dubby techno sound like echospace or redshape, you will into this track very easily. on b side, one of the best artist at the moment vakula made warm deep house remix. its not necessary bla bla ... about vakula sound. ambient version is lovely bonus track.

i was finishing up a long extended set in paris when the cleckcleckboom crew practically ran into the club to get on the decks. i had hung out with them before but tonight they had all new tracks and an incredible energy. so i stayed past the last ravers just to hear what they would play and that was when i heard “hugz” by french fries and bamabounou. this was a new sound, some nasty nasty shit sitting somewhere between juke and bass music and and i knew we had to get this sound on dirtybird no matter what. needles to say “yo vogue” is hot property and i’m really excited to release it on dirtybird. the half time drop, the chopped and screwed vocal, the stuttering bass kicks, the creepy moog on top - it’s simple and complex at the same time and it wrecks shop whenever it gets played. i did a remix on the b side giving it some db flavor and dirtybird newcomer leroy peppers lays out his own bay area skeeze with hot sauce on top. watch yer bass bins! best, vonstroke.

in the last couple of months the names taiki & nulight should have come across your paths. these 2 artists have been gaining respect from the likes of skream, benga, n-type, mistajam (and many more) and are set to blow up any time now. and because subway likes their beats fresh and new they are kicking off with these boys their very first release entitled the coming up ep. coming up is a 100 procent to the floor slammer wich sees the dubstep sound merging into more clubby territories. the 4x4 beat and soca influences make this track a unique piece of work that not alot of people can resist. get on this and get those ladies shaking their rear ends because once they start a skanking the men will follow. pure takes it back to the dubstep vibe we all know and love. a hefty skanker that will deplete any raver from any energy it has left. tearout basslines and insane switches make this one track that will destroy any dance! impulse is one of t&ns early productions but is not a letter track for that matter.its a mean destructive stomper that shows why these guys have been picked so early on by the subway label. it pounds,it shakes, it rattles & it wobbles. a deadly combination!watch out for more t&n releases coming up really soon on subway and labels like benga beats, sin city to name a few! play support comes from: skream, benga, n-type, walsh, mistajam, antiserum, unitz, dream, laxx, megalodon & tonnes of others!

a new addition to the kill the dj stable is something that, for us, really counts....

jakob altmann from munich is the new fresh artist on the statik entertainment - roaster. after his split- release on the label >other heights< (together with ozka) and the mixcd >on straight road to planet ceres< by sven tasnadi (that ncludes stuff by jakob) now you can listen to six raw techno-cuts in a really dark atmosphere. enjoy it

after conforces tight album release on delsin and other concept projects he did he/we went wild with this one and selected some tracks we just want to play out loud in a club from vinyl (incl. a killer remix by gesloten cirkel for the title track). at first sight these tracks dont have much in common... and probably still not for the second listen, but we didnt really bother for this one. it will be a standard in our dj box for the coming months with 4 tracks that all have a bit of a different groove and a different mood. grain, be there at night, 24 and 24 remixed by gesloten cirkel. this is probably as versatile as a clone basement release can get.

nice and really useful shoulder bag

nice and really useful shoulder bag

a: dexterism - a real groover, brilliant funky bassline and a good dose of brass. cool little looped feel going on.
b: motownology - much slower on the flip, focus is on the vocals. simple percussion really accentuates the vocals. keys and quite a dark feel to the track.

here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

shibuya shibuya - really sweet, slower electro funkgo$$ip - very avalanches in sound, with the background chatter and looped sample...excellent stuff

arjun vagale and tim richards have never met in person, they are cyber friends like a million of other people in the world. their huge musically respect for each other formed the idea to do some music together and kaiserdisco is very proud to present you the result! with a first listen you can say she said is a typical tech-house tune but when you play it again and again you see it is full of little highlights which makes the song so special and catchy. its a very cool combination of beats, drums and top loops which makes this track so energetic. the remarkable break makes the track so unique and turns the club into an inferno. the second track tonkatsu is a real techno-bomb. a very deep bassline combined with the galloping beats keep this track running and running until it falls intothe break wich makes this track even more ecstatic and brings it up to an amazing primtime-stomper, that lets the crowd go crazy and scream but all in a very cool and undergroundy way.this tune is really outstanding and one of the best tracks in our box for weeks.

after a break for over a year pattern repeat is back again with another two tracks on their own label. both kenneth & resoe has been really busy last year, so it has been difficult to meet up in the studio. but now they had the time to finish two tracks of deep dirty techno from the capitol of denmark copenhagen. again they set it of with raw dirty dub infected grooves and the a side starts up right away with the dub elements intact, and then keeps building through the rest of the track. after the short break a hypnotic atmosphere kicks off in best pattern repeat style. the b side starts slowly with an almost alfred hitchcock kind of atmosphere, with a dull kick underneath. the track keeps gettin more dirty through the 6 min. and 15 secs. it last, with more distortion added to the dub stabs. its a good way that kenneth & resoe returns since the last 12 inch they put out in december 2010, to set the stage for 2012.

wax classic is a brand new skylax sub – label. for this 3rd release, we give you the opportunity to grab 5 fantastic trax done by housemaster : jason grove.born in detroit, he started his career in the late 80s, dj-ing in underground parties when the techno house movement was just at the beginning. he was invited few times on detroit local stations such as wdrq & wjlb to play. some said he was at that time very close to the >wizard<, helping producing their first tracks with anthony srock as final cut. he had many opportunities during the 90s to release some of his work on various prestigious labels, however, as the guy is really hardcore & straight edge, he prefered to continue producing only with analog gears (dont ever speak to him about a computer or he?ll get mad !) & record his work on cassette only, selling it to indie stores & giving it to friends for some special events (birthday, graduation ect ... !). after the incredible release we had on wax classic 1 (another skylax sub – label), you can grab finally the 2 nd part of those legendary tapes.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

a tribe called quest’s 4th longplayer, originally released in 1996, back on double vinyl.

following his successful >tears in vain 12inch< on perspectiv, promising new producer simon garcia continues his quest for the holy-grail of modern house and techno as we set forth into >cavern<. and indeed >cavern< is a breathtaking ride - a warm pulsating synth pattern is coaxed along by a dusty, filtered kick before we are greeted with rushing bright percussion and a thunderous lead kick. wild fx open up the floor with the first ecstatic break and from there on the track runs with a mind of its own, exploding with rapturous drama and tasteful restraint. bringing us back down to earth at least for a moment. ‚bass ii bass‘ treads more swinging, groovy territories in a classic ny styled house track, updated for 2012. freaky, pitching vocals swirl around a tight bass-led rhythm section, telling a futuristic story of hopeless hedonism. the emotive-piano house vibes of ‚options‘ will likely raise a few tingling hairs for those well acquainted with steve bug‘s recent dj sets. the perfect blinded-by-the-morning-sun moment, mr. garcia really shows of his classy production skills with this slinky, moody slice of classic house.

!! vinyl only release , 300 copies only !! > modern underground music< is a collection of tracks culled from many corners of the underground. hopefully the first in a series. i want to feature a cross-section of genres, with a slew of new artists you might not be familiar with. i guess i could go the easy route and sign tracks from c2, cvs, etc. but thats not really what b/c is about

to celebrate his mos deep sub label reaching its tenth release, boss man aroy dee has teamed up in the studio with ma spaventi for the labels next release, namely a split 10 inch featuring two tracks: >wrecking< and >mr. floyd<. first up is amsterdams best kept production secret aka marco the doctor spaventi. his >wrecking< is a blisteringly raw house construction with ripping synth lines, delicate hi-hats and slow, crawling kick drums building up to an incendiary, chicago referencing peak where pinging cow bells shooting in all directions. its a bold track designed for maximum dance-floor damage. on the flip, aroy builds in layers. his >mr floyd< is all muted synth growls, clattering percussion and blissful pads. its a tortured deep house track that challenges you before really soothing you, but once the inner beauty is revealed, it really has you under an enchanting spell. another quality release from mos deep, this time on highly collectible 10 inch vinyl.

thomas gandeys return is warmly welcomed by dance-floors worldwide. the artist formally known as cagedbaby has consistently made tough, deep, cutting techno and house based tracks, and his latest offering >the piano track< is no different. mr.gandey upped sticks to berlin last year and one can really hear the city that holds so much weight in the history of dance music, in this his latest production. like ronseal, the piano track does exactly what it says on the tin. its a track laced with piano hooks. its stylish, sophisticated and genre-busting, thomas gandey really has gone for the ultimate goose-bump rush! radio slave and thomas gandey have long admired each others work. they have a history of producing and djing together and like tom, matt (radio slave) also comes from brighton and now lives in berlin. after hearing the piano track he dived straight in to the remixing it. in actual fact radio slave remixed the track in a different key and tom re-played the piano making for a really special radio slave re-work

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

lime dubs returns with a really sharp ep by brazilian alex mind. the power of the release lies in the electronic but yet melodic style consisting of bright synths and basses all perfectly coming together on 3 very strong and well produced tracks.

sublevels eleventh release features their left-coast warehouse sound. this single contains two mixes. side a:lils keys – subwarp rmx this mix puts you in a deep and twisted headlock with a groovy feeling of main-room acid-house. an energetic remix for those who love to dance and travel through space. this remix was featured at such events as demf 2011, 20 years of planet e (san diego), and tabloid (tokyo).side b:lils keys – e-motion analogue dub – doc martin mix the e-motion dub mix is a long and hypnotic bass heavy dub. doc martin really gives this one an analogue feel. this mix was performed live at panorama bar (berlin), womb (tokyo), and fabric (london).

bristolian label think deep do exactly that when they sign new tunes. this latest instalment is a breath of fresh air and paul sg and andy sim really go in on this remix of >infinite mischief< which in its original form is a well engineered slice of liquid solely designed for the dancefloor.

it has been a while since alex showed up with a follow up on credo, but as you know, good things do not only last for a while, they also require some time to be finished and this result is more than worth to wait for! hollywood bullet might remind you on some classic trackss essence and it kicks of impressively however, the real >go< follows after huuuge breaks and now its your turn to free the animals on the dancefloor with this weapon that contains not only plenty of energetic basslinesounds, but also load of colors which could be missed these days on often very monotonous technoproductions. alex is not afraid of bringing colors, and not only shades on credo, and so does heartattack: a really weird and unexpected groove on 120 bpm only, even kind of housy, but the upbuilding rythmic noises bring the track back to where it comes from, and this is nothing else as pure bassic energy. very very big release in our eyes!

exactly a year ago we released the splitt ep er 0004.1 with chez damier s balance alliance. so this very special various artists ep comes to you as the follower of the reminded release as a double a side ep, called the various artist ep two pt.2!.with people on a1 marcello napoletano delivers an analog monster. the man from south italy doesnt really need to be introduced after his stunning releases on labels like mathematics, yore or rush hour. on a2 we re-introduce our first female producer in the family basels timnah sommerfeldt with her mix of fill me up (released on balance / ba006). on the aa balance side we got two rookies on wax with the oldschol flavoured tune named da bass lover. produced by quike feat. lello di franco as a young italian producer combo. with changes demetrio giannice has gone through a maturing process, a downtempo track driven by two difrrent drumsequences, melodic synth lines, strings and a classic guitar with a balearic feeling. everything turns into a kind of background hidden hook taken from the forthcoming vocal version of changes. vocals by chez damier. few different versions will follow. strictly limited!

since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family

a chuggy, discofied burner with a massive remix sporting an infectious percussive groove and a driving lead. Özgür can, swedens undisputed champ of slow techno stepping up to serve us his first offering on the stockholm based imprint. a really hot package from the colourful camp!

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

heavyweight 180gr vinyl

nice and really useful shoulder bag

nice and really useful shoulder bag

nice and really useful shoulder bag

super hot, super limited - better be super quick on this gem!

the londinium ep is the latest release on uzuri recordings and welcomes chicago skyway back to the fold. not that hes been away too long, having produced a full 12 release and contributed to the from chicago turin amsterdam & dublin with love ep just last year. we also welcome hakim murphy to the label – with his credentials it was only a matter of time before our paths crossed!as the title suggests, this release was inspired, conceptually at least, by our nations capital, and its apparent that sean has spent quite enough time here to get the gist of the place, with the b-side tracks entitled traffic and noise, respectively. im sure he loves it here, really.musically, he keeps it closer to his windy city heart – very clearly reflecting his roots, in fact. as a dj and club promoter in mid 90s chicago, sean frequently shared the decks with some of the citys biggest talents at that time – cajmere, gene farris and spencer kinsey (gemini) among them, and one could say that theres an audible relief flavour to a-side, london streets, with its stripped-back, hypnotic stomp. its fitting that hakim murphy remixes the track, coming from similar roots within chicagos scene, and his own reworking retains the drawn-out essence of the original but brings a whole new hips-and-shoulders groove to the track.

we are really excited about this new label and the first two releases have flown out on promo. dr meaker links up with bristol vocalist redskin to hammer out this catchy rave anthem. on the flip you get treated to a remix from man of the moment eddie k who has been on fire this year.

a good thing takes its time, thats what rico henschel aka sweetncandy must have thought. after a little off-time for the producer located in bielefeld (ger) and an ample re-orientation phase, he is back now in the electronic music game with fresh sound – a sound that really hits your ears and brain, which makes us even happier to present sweetncandys debut single >feel something, say something< on our deep circus label. besides >feel something, say something<, the record contains two more tracks: >dew drop motel< & >you and you<, both bringing you lots of deepness, groove and funk just like the title-track. enjoy

numbernin6 is no new comer to the dubstep scene, but this is his first record for london label smokin sessions. the recordings are blissful and floaty, as you would expect from smokin sessions and really shows off what numnernin6 can do when he goes deep. the whole ep is masterfully produced and you can really hear these tracks have been given a lot of attention. i cant pick a favourite, but all 3 are a great listen. sit back, relax and spark it up rude eye!

another raw techno basics va for the collection. four names that are currently really doing well within the sound. if youre into that peek time dark and funky techno this is a release for you. the a side contains david moleon and iago de la vega teaming up for some funky action while the b side contains a darker daisychain track and an anthem by thermo.

obsession is really the programmatic title of tobias olivers work of the last years. two years after his digital winter / summer release in 2009 and the human technology debut with his electro band datawelt, it is really a obsession of him, to bring out his first solo release on vinyl. if you listen to this record, you will be sure, that tobias oliver was born in a electro disco somewhere in this world. the analogy to the old school electro sound can not be ignored, when he reuses the drum and percussion sounds of well known drum machines of the past, combined with bass and synthlines, pads and strings of analog synthesizers from the past and the future - at the latest by then - you will think, that you are really out of space!

to round off 2011 fear of flying enlist the talents of shenoda, a name that may be familiar to a few of you who follow the uk based >hypercolour< label. the >mines of minolta ep< kicks off with >phone call< - harnessing the essence of steve o sullivans bluetrain project the track runs deep with a dubbed out bassline and moody stylings a plenty. the flip sides two tracks inject a lighter, uplifting feel with >night eater< shuffling along on a blissed out pad and solid percussion. >supercede< follows on nicely with the same warm vibe to round off a really solid package and a great way for fof to sign off for the year

sk 011, 444, centralbron, midsummer night, babar, russian folksong, carbon oxide, i love water, all those brilliant tiga productions... we really don t know what else to say - just try to imagine the history and future of this dance music thing we re all involved in without jesper dahlback... nah, rather not, right? being part of jespers discography is the greatest thing that has happened to studio barnhus up until now and these two tracks, fransson and dx2 rmx, are up there with all those previously mentioned masterpieces. fransson is a freaky, windowlicker-esque jam while dx2 rmx is a dance floor burner which perfectly balances melancholia with joy.

iww musics very first various artist compilation really lives up to its name: you cant resist falling in love with it! the featured artists are showcasing their musical status quo: with lots of heart and love for the detail dürerstuben, andrea di rocco, maxage and fabian kranz composed their little lovestories. they will touch you in a special way so you will forget about the cold and gloomy days and feel an undeniable warmth instead...

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

this is a really strong release from viper and they have once again enlisted the production talents of metrik. on the flip he links up with vocal legend kathy brown to really put the finishing touches to this epic release.

following the debut lp on ki, we have put together a few of our favorite artists to remix some tracks of their choice. it was important for us, that the artists kept their individual approach to their genre, so that we could get a very diverse release. first up is the japanese producer stereociti, who just released his debut album on mojuba records. he gives the title track >reisegefaehrte< his very own deep touch. second up is our close friend glitterbug, who seems to create a very own genre with his interpretation of >barracuda<. on the flipside stundman goes straight to the dancefloor. jacking beats and pounding basslines are his >reminder<. and as if p.laoss knew what the real deal is, he turned >subsistence< into a fata morgana trip back to the time when dub was really dub. perfect completion of what we expected from this remix ep.